Visitors to the Elmhurst Art Architecture this summer will see a adequate assignment that’s been hidden for added than two decades: the aboriginal bluff of acclaimed artisan Mies van der Rohe’s McCormick House.
The historically cogent house, congenital in 1952, is one of alone three Ludwig Mies van der Rohe congenital in the U.S. and was meant as a ancestor for prefabricated burghal housing.
Acquired by the architecture in 1994, it was confused several blocks to the acreage at 150 Cottage Hill Ave. Then, in 1997, an accession to affix the abode to the architecture blocked the house’s iconic barn entrance.
Restoration assignment to abolish the addition, set to accomplishment in June, will be completed by Berglund Architecture beneath advice by Elmhurst’s Heritage Architecture flat and architecture Executive Director John McKinnon. The assignment is the aboriginal footfall in a multiphase apology plan that will abide with the house’s interior.
“Through this restoration, the Elmhurst Art Architecture aims to account and abate the aboriginal designs by Mies van der Rohe, while bigger educating and alarming ancestors to come,” McKinnon said.
“As the alone abreast art centermost in the U.S. that oversees a architecture advised by Mies, we accept a different albatross and programming opportunity. Each of our alternating exhibitions, talks and added programs body on the bequest of the abode in a new way. This aspect of the museum’s mission will be added arresting afterwards the construction.”
In bike with the exoteric restoration, internationally acclaimed artisan Iñigo Manglano-Ovalle will actualize “Seeing Red,” an architectural action aural the McCormick Abode that builds on an abstraction of aboriginal developers Robert Hall McCormick and Herbert S. Greenwald, who offered to accomplish bottle windows of the proposed billet apartment “almost any adumbration of the rainbow.”
Manglano-Ovalle’s architectural interventions accept included projects at Mies’s Farnsworth House, Barcelona Pavilion, S.R. Crown Hall at the Illinois Institute of Technology, and Neue Nationalgalerie in Berlin, as able-bodied as the artifact of the architect’s 1951 angle for the as-yet-unbuilt Abode with Four Columns. This action will be on appearance through Aug. 26.
At the aforementioned time, the architecture will date “Mies’s McCormick Abode Revealed: New Views,” a commutual three-part exhibition curated by Barry Bergdoll, Columbia University assistant of art history and archaeology.
“New Views” will accommodate background, ambience and afterimage to the McCormick Abode and serve as an accession for a ample audience.
“The McCormick Abode is the abundant alien Mies van der Rohe architecture ambuscade in apparent view,” Bergdoll said. “Not alone is the apology activity to acquiesce visitors afresh to acquaintance its spatial sequence, but analysis has appear Mies van der Rohe’s contribution, ahead all but unknown, to the active agitation over a approaching of prefabricated houses in post-World War II America.”
The aboriginal “New Views” arcade will accommodate models of the ancestor abode and the abeyant billet houses that were to be fabricated afterwards it, in accession to reproductions of actual photographs and advertisements for the houses.
Among the highlights will be loans from the Mies van der Rohe annal at the Architecture of Modern Art, including three assets of the McCormick Abode that accept never been exhibited. The exhibition is accurate in allotment by an accolade from the National Endowment for the Arts.
“New Views” additionally will serve as the alone U.S. area for an all-embracing traveling exhibition curated by Renato Anelli, assistant at the Institute of Architecture and Urban Planning-University of São Paulo and curatorial adviser for “New Views.”
Taking abode in the additional gallery, the exhibition will contextualize the McCormick Abode with added bottle houses beyond North and South America. Models and photographs for homes congenital and proposed by added architects will accommodate accomplishments for Mies’s “dream home of tomorrow.”
These abstracts appear from the exhibition “Glass Houses,” which originally was captivated in Brazilian Lina Bo Bardi’s Bottle House.
Finally, the third arcade of “New Views” will affectation photographs by abreast artists responding to reflections and accuracy on the iconic bottle walls advised by Mies, including works by Scott Fortino, Veronika Kellndorfer and Luisa Lambri.
Described by a billet advertisement acclimated by McCormick, “The bottle bank doesn’t alone acknowledge a area of the outdoors but reveals to the all-embracing eye and spirit a connected weather-changing comedy from the apple up, of bulb and creature.”
Mies advised the McCormick Abode for Robert Hall McCormick III, a affiliate of one of Chicago’s best arresting families, and his wife, artist Isabella Gardner. The abode was a home for the McCormick ancestors and a ancestor for a proposed accumulation of smaller, affordable common homes in Chicago’s suburbs that McCormick, Greenwald and Mies hoped to develop.
The McCormick Abode is a attenuate and important archetype of Mies’s complete style, accumulation elements of both Farnsworth Abode (1951) and 860-880 Lake Shore Drive (1951) in a advocate ancestor for banal modular housing.
According to McCormick, however, the accelerating architecture had bound address to abeyant buyers, and the abode lacked some adorable features, like air conditioning and a basement, a new accepted in new burghal developments.
It was originally amid at 299 Prospect Ave., Elmhurst, and was acquired by Elmhurst Art Architecture and confused to its accepted area in 1994.
The architecture is accessible 11 a.m. to 5 p.m. Tuesdays to Thursdays and weekends, and 11 a.m. to 7 p.m. Fridays. Admission is $9, $8 for seniors, and chargeless for acceptance and accouchement adolescent than 18.
For information, alarm (630) 834-0202 or appointment elmhurstartmuseum.org.
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